A sad story of vinyl records I foolishly sold, often for less than a pint of beer

This is probably the saddest blog post I've ever written. Ok, so it's no sad on a global scale of human suffering, but on a personal level it's quite sad for me. It's about some of the vinyl records I foolishly sold in the past, for what often turned out to be for less than a pint of beer. Some I have managed to replace at a reasonable price, others for a more substantial price, and others still allude me. There are also some which, although worth a hefty sum of money today, having sold I can happily live without.

I'm going to start with Aphex Twin. At one stage I had most of Richard D James' material on vinyl. I was more than pleased a couple of months back to pick up an original 1992 pressing of Selected Ambient works 85-92 which remains one of my all time favourite albums.

Aphex Twin - Selected Ambient Works 85-92

I've been less lucky on Selected Ambient Works volume II, where I used to be the proud owner of the triple vinyl version on brown vinyl. I'm not sure I'll ever be replacing this one as prices on Ebay currently start at over £300. Even the 2017 black vinyl, reissues seem to go for a fortune.

Surfing on Sine Waves by Polygon Window is another I sorely miss. Thinking about it, I used to own all of the vinyl releases in Warp's Artificial Intelligence series at one stage. I didn't own the coloured vinyl versions of these, with the exception I think of Incunabula by Autechre.

Next up is P J Harvey. I used to own most of the early albums and singles on vinyl and these are probably some of the ones I miss the most, in particular the debut album, Dry. I never owned the impossibly rare, limited edition version with the extra demos album, which now seems to command a price tag of £150 an upwards on Ebay.

P J Harvey - Dry, Too Pure records, c.1992

I did however manage to pick up copies of 1995's To Bring You My Love and also the 12" of Fifty Foot Queenie recently, but the bulk of the P J Harvey vinyl back catalogue still alludes me.

At one stage I had a fairly impressive collection of vinyl that was released on Manchester's Factory records, although not some of the crazily rare stuff like the Factory Sampler. Wisely, and thankfully, I held on to my Joy Division vinyl, but parted with the rest. Of all the Factory vinyl I did sell, it was only really A Certain Ratio that I regretted, and thankfully I've been able to replace all of that, including most recently their debut single from 1979, All Night Party. and debut album, To Each from 1981.

A Certain Ratio - To Each, Factory records, c.1979

As an aside on Factory records, I managed to miss out on Durutti Column at the time but have been able to track down a few of their original vinyl releases, although unsurprisingly not the original, highly sought after, first pressing of The return of the Durutti Column with the sandpaper sleeve, so I made do with a 1981 repressing instead.

The Durutti Column - The Return of the Durutti Column, Factory records, c.1980

Moving on to the Britpop era now, I used to own the first three Oasis albums on vinyl but don't actually miss them and am happy to listen in a more digital format. From that era though, albums that I did miss and managed to track down again were 1977 by Ash, Expecting To Fly by The Bluetones, and the debut Elastica album.

Elastica - Elastica, Deception records, c.1995

Gene - Olympian, the 1995 debut album by Gene remains missing from my collection but hopefully not too hard to track down.

Finally a short section on some of what I'll refer to as the second wave of punk where I had quite a few 7" singles of this era, some great and have stood the test of time, others less so. Most of these went a long time ago, but I'm still pleased that I have the UK Decay ones.

A selection of 7" singles from the second wave of punk

It's all about the b-side (a journey through some of my favourite b-sides)

Back in the days when vinyl was king, and I was spending all my pocket money and paper round money on records, there was nothing more exciting than going into town after school and coming home with a handful of 7" singles where typically I had only heard the a-side, and then being completely blown away by the track, or tracks, on the b-side. For today's post I've decided to share a few of my favourites, along with their cover artwork.

I'm going to start with one of my absolute favourite tracks, Pssyche, by Killing Joke. The a-side of this 7" single, Wardance, is mighty enough, but the b-side, with even more angry, snarling energy is, to my mind, even better. It was released on the Malicious Damage label in 1980. Early copies included a reproduction army call up paper with the words 'Killing Joke' stamped across it. It's had a recent re-release as a red and black splattered 12" vinyl single on Killing Joke records, with 3 versions of Wardance and 2 versions of Pssyche. As with all recently pressed vinyl it will set you back over £20. The 7" version of the single is quite hard to track down. Ebay has a few copies, most without the call up insert, at various price points.

Killing Joke - Wardance / Pssyche, Malicious Damage records, c.1980

The only problem with my first choice is that is makes it hard to follow, but I like to think I've managed with this next track. The Prisoner, was the b-side to White Man in Hammersmith Palais, by The Clash, released, in four different colour sleeves, on CBS records in 1978. There are of course plenty of other worthy Clash b-sides, but I've decided to restrict myself to one per band for this post.

The Clash - (White Man) in Hammersmith Palais / The Prisoner, CBS records, c.1978

Next up we have another band, The Jam, who had a string of great b-sides to choose from and it wasn't an easy choice. Perhaps Butterfly Collector would have been the most obvious, but instead I've decided to go with See-Saw, which was the b-side to their 1979 release Eton Rifles. A bitter-sweet love song, which lyrically reminds me of The Who's So Sad About Us which The Jam also covered as a b-side appearing on their Down In The Tube Station at Midnight single from 1978.

The Jam - Eton Rifles / See-Saw, Polydor records, c.1979

Moving on now to the first band I ever saw, The Rezillos, although I think by the time I saw them they had morphed into The Revillos. The b-side I've chosen here is Mystery Action which was the b-side to their 1978 single, Destination Venus, released on Sire records. Both outstanding tracks, but for me the b-side nails it. Their first studio album, released on Sire records in 1978, Can't Stand the Rezillos, is an incredible debut album and worth checking out if you've never heard it.

The Rezillos - Destination Venus / Mystery Action, Sire records, c.1978

Next up I've chosen Leyton Buzzards and the b-side to their 1979 single, Saturday Night Beneath the Plastic Palm Trees single, Through With You. This is a great piece of snarly punk rock. If only they had continued in this vein, but seems some of the band had other plans and formed Modern Romance (who won't be featured here).

Leyton Buzzards - Saturday Night Beneath the Plastic Palm Trees / Through With You, Chrysalis records, c.1979

Before forming Shriekback, former XTC member, Barry Andrews, released a couple of solo singles in the early 1980's, the Town and Country EP and Rossmore Road. Both are great singles but I'm picking the b-side of Rossmore Road, with its wonderful title of Win a Night Out With a Well-Known Paranoic

Barry Andrews - Rossmore Road / Win a Night Out With a Well Known Paranoic, Virgin records, c.1980

Again this is one of those blog posts which could go on for considerably longer, but I'm stopping here with My Mind Ain't So Open, by Magazine, which was the b-side of their 1978 debut single, Shot By Both Sides.

Magazine - Shot By Both Sides / My Mind Ain't So Open, Virgin records, c.1978

As always, many thanks for reading and I hope you liked the post.

Cover versions of classic tracks by punk, new wave, and post-punk artists

 I've posted about cover versions before but never previously had the time to include any of the artwork of the releases, so I'm putting that right now with a new blog post about cover versions of classic tracks by punk, new wave, and post-punk artists.

Let's start with Generation X and their cover version of Johnny Kidd and the Pirates Shakin' All Over which appeared on the b-side of 1979's Valley of the Dolls single. A simply great cover version, showing Generation X's rock roots rather than their punk sensibilities. Released in limited quantities on brown, marbled vinyl, although still fairly easy to find 'out in the wild' and also on Ebay for a reasonable price. Their first two albums still get regular airtime at mine, with their self-titled 1978 debut just pipping the 1979 Ian Hunter produced Valley of the Dolls album.

Generation X - Valley of the Dolls / Shakin' All Over, Chrysalis records, c.1979

I was aware of Captain Beefheart, from John Peel I'm guessing, but I never really listened to him until relatively recently, and certainly no more than 10 years ago. I was delighted to find however that the post-punk band, Magazine, formed by Howard Devoto after leaving the Buzzcocks, had covered his I Love You You Big Dummy, taken from his 1970 Lick My Decals Off Baby album, on the b-side of their 1978 single Give Me Everything. Again this single is readily available on Ebay for a reasonable price, and does appear 'in the wild' from time to time.

Magazine - Give Me Everything / I Love You You Big Dummy, Virgin records, c.1978

The Clash have many worthy cover versions to choose from but I've decided to restrict myself to those which appeared as single releases. Let's start with their cover of Toots and the Maytal's Pressure Drop which appeared on the b-side of their 1979 single English Civil War.

The Clash - English Civil War / Pressure Drop, CBS records, c.1979

And how about this for an epic cover version, again The Clash with the b-side of their 1979 single London Calling which featured a cover version of Willi Williams' track Armagideon Time. The 12" has even more cover version goodness with an 8 minute version, broken into 2 parts, Justice Tonight and Kick It Over. Both the London Calling 7" and 12" singles are becoming increasingly hard to find in their picture sleeves, of which there were different coloured versions, for a sensible price. I'm wondering now whether I should have also featured this single in one of my previous blogs posts Same record, different sleeves - a selection of punk and new wave vinyl records released in multiple sleeves.

If you're looking to track this one down, Ebay has a few at the time of writing. If you want to track down an original Willi Williams version that will undoubtedly take you longer to find and set you back a lot more.

The Clash - London Calling / Armagideon Time, CBS records, c.1979

The final Clash cover version I'll feature here is from their 1979 Cost of Living EP, with a cover of Sonny Curtis' I Fought the Law. Other tracks on the 4 track EP were Groovy Times, Gates of the West, and Capital Radio.

The Clash - The Cost of Living EP, CBS records, c.1979

Of course, by only including the singles I've missed out some other great Clash cover versions. From the reggae of Junior Murvin's Police and Thieves from the Clash's 1977 debut album, and Eddie Grant's Police on My Back, which appeared on 1980's triple album Sandinista, to the rockier cover of Vince Taylor's Brand New Cadillac, from the 1979 double album London Calling.

Next up we have the Jam who released a few cover versions on both single and album. I'm going to focus on a couple of my favourites here. Let's start with their cover version of The Kinks track, David Watts, which was released in 1978 as a double A side single with A Bomb in Wardour Street. Both tracks were taken from the Jam's 1978 album, All Mod Cons.

The Jam - David Watts / A Bomb in Wardour Street, Polydor records, c.1978

Also taken from The Jam's 1978 album All Mod Cons was the single Down in the Tube Station at Midnight which featured a cover of the Who's So Sad About Us on the b-side. The reverse of the sleeve features a picture of the Who's drummer, Keith Moon, who had recently died, so effectively a double tribute to him on this release.

The Jam - Down in the Tube Station At Midnight / So Sad About Us / The Night, Polydor records, c.1978

Other notable covers performed by The Jam include The Batman Theme from their 1977 In The City album, Martha and the Vandellas' Heatwave which appeared on their 1979 album Setting Sons, Wilson Picket's In the Midnight Hour, The Temptations' War, and The Who's Disguises which appeared as the b-side of their 1981 Funeral Pyre single.

Moving back to punk bands now, we have The Damned who released a live cover version of the MC5's Looking at You on the b-side of their 1980 single, There Ain't No Sanity Clause.

The Damned - There Ain't No Sanity Clause / Hit or Miss / Looking At You, Chiswick records, c.1979

And staying with The Damned, they also covered the glam rock classic, Ballroom Blitz by The Sweet on the b-side of their 1979 single, I Just Can't Be Happy Today.

The Damned - I Just Can't Be Happy Today, Chiswick records, c.1979

Bauhaus, the post-punk / goth band from Northampton released a couple of singles which were cover versions. The one I'm featuring here is their cover version of T-Rex's Telegram Sam, which was released on the 4AD record label in 1980, in both 7" and 12" formats. There seem to be a good few copies of this on Ebay although surprisingly quite pricey. Their other cover version released as a single was, of course, Ziggy Stardust.

Bauhaus - Telegram Sam, 4AD records, c.1980

And finally, for a bit of fun, I've chosen the Dickies cover version of Banana Splits (The Tra La La Song), released on delicious yellow vinyl. I've chosen this mainly because as a kid I loved the Banana Splits TV show, and also because The Dickies do a mean cover version.

The Dickies - Banana Splits, A&M records, c.1979

Other worthy contenders would be:

A Certain Ratio - Shack Up

Knox - Gigalo Aunt (originally by Syd Barrett)

Siouxsie and the Banshees - Dear Prudence & Helter Skelter (originally by The Beatles)

Skids - All The Young Dudes (originally by David Bowie, and then Mott The Hoople)

Wedding Present - pretty much all of the b-sides they released in their series of 12 Hit Parade singles from 1992. Plenty of opportunities on Ebay to track down the 12 individual 7" singles, or easier maybe , although perhaps less fun, to buy the Hit Parade compilation album instead.

I could probably have continued at some length on this topic but it's time to end the blog post now.