Cover versions of classic tracks by punk, new wave, and post-punk artists

 I've posted about cover versions before but never previously had the time to include any of the artwork of the releases, so I'm putting that right now with a new blog post about cover versions of classic tracks by punk, new wave, and post-punk artists.

Let's start with Generation X and their cover version of Johnny Kidd and the Pirates Shakin' All Over which appeared on the b-side of 1979's Valley of the Dolls single. A simply great cover version, showing Generation X's rock roots rather than their punk sensibilities. Released in limited quantities on brown, marbled vinyl, although still fairly easy to find 'out in the wild' and also on Ebay for a reasonable price. Their first two albums still get regular airtime at mine, with their self-titled 1978 debut just pipping the 1979 Ian Hunter produced Valley of the Dolls album.

Generation X - Valley of the Dolls / Shakin' All Over, Chrysalis records, c.1979

I was aware of Captain Beefheart, from John Peel I'm guessing, but I never really listened to him until relatively recently, and certainly no more than 10 years ago. I was delighted to find however that the post-punk band, Magazine, formed by Howard Devoto after leaving the Buzzcocks, had covered his I Love You You Big Dummy, taken from his 1970 Lick My Decals Off Baby album, on the b-side of their 1978 single Give Me Everything. Again this single is readily available on Ebay for a reasonable price, and does appear 'in the wild' from time to time.

Magazine - Give Me Everything / I Love You You Big Dummy, Virgin records, c.1978

The Clash have many worthy cover versions to choose from but I've decided to restrict myself to those which appeared as single releases. Let's start with their cover of Toots and the Maytal's Pressure Drop which appeared on the b-side of their 1979 single English Civil War.

The Clash - English Civil War / Pressure Drop, CBS records, c.1979

And how about this for an epic cover version, again The Clash with the b-side of their 1979 single London Calling which featured a cover version of Willi Williams' track Armagideon Time. The 12" has even more cover version goodness with an 8 minute version, broken into 2 parts, Justice Tonight and Kick It Over. Both the London Calling 7" and 12" singles are becoming increasingly hard to find in their picture sleeves, of which there were different coloured versions, for a sensible price. I'm wondering now whether I should have also featured this single in one of my previous blogs posts Same record, different sleeves - a selection of punk and new wave vinyl records released in multiple sleeves.

If you're looking to track this one down, Ebay has a few at the time of writing. If you want to track down an original Willi Williams version that will undoubtedly take you longer to find and set you back a lot more.

The Clash - London Calling / Armagideon Time, CBS records, c.1979

The final Clash cover version I'll feature here is from their 1979 Cost of Living EP, with a cover of Sonny Curtis' I Fought the Law. Other tracks on the 4 track EP were Groovy Times, Gates of the West, and Capital Radio.

The Clash - The Cost of Living EP, CBS records, c.1979

Of course, by only including the singles I've missed out some other great Clash cover versions. From the reggae of Junior Murvin's Police and Thieves from the Clash's 1977 debut album, and Eddie Grant's Police on My Back, which appeared on 1980's triple album Sandinista, to the rockier cover of Vince Taylor's Brand New Cadillac, from the 1979 double album London Calling.

Next up we have the Jam who released a few cover versions on both single and album. I'm going to focus on a couple of my favourites here. Let's start with their cover version of The Kinks track, David Watts, which was released in 1978 as a double A side single with A Bomb in Wardour Street. Both tracks were taken from the Jam's 1978 album, All Mod Cons.

The Jam - David Watts / A Bomb in Wardour Street, Polydor records, c.1978

Also taken from The Jam's 1978 album All Mod Cons was the single Down in the Tube Station at Midnight which featured a cover of the Who's So Sad About Us on the b-side. The reverse of the sleeve features a picture of the Who's drummer, Keith Moon, who had recently died, so effectively a double tribute to him on this release.

The Jam - Down in the Tube Station At Midnight / So Sad About Us / The Night, Polydor records, c.1978

Other notable covers performed by The Jam include The Batman Theme from their 1977 In The City album, Martha and the Vandellas' Heatwave which appeared on their 1979 album Setting Sons, Wilson Picket's In the Midnight Hour, The Temptations' War, and The Who's Disguises which appeared as the b-side of their 1981 Funeral Pyre single.

Moving back to punk bands now, we have The Damned who released a live cover version of the MC5's Looking at You on the b-side of their 1980 single, There Ain't No Sanity Clause.

The Damned - There Ain't No Sanity Clause / Hit or Miss / Looking At You, Chiswick records, c.1979

And staying with The Damned, they also covered the glam rock classic, Ballroom Blitz by The Sweet on the b-side of their 1979 single, I Just Can't Be Happy Today.

The Damned - I Just Can't Be Happy Today, Chiswick records, c.1979

Bauhaus, the post-punk / goth band from Northampton released a couple of singles which were cover versions. The one I'm featuring here is their cover version of T-Rex's Telegram Sam, which was released on the 4AD record label in 1980, in both 7" and 12" formats. There seem to be a good few copies of this on Ebay although surprisingly quite pricey. Their other cover version released as a single was, of course, Ziggy Stardust.

Bauhaus - Telegram Sam, 4AD records, c.1980

And finally, for a bit of fun, I've chosen the Dickies cover version of Banana Splits (The Tra La La Song), released on delicious yellow vinyl. I've chosen this mainly because as a kid I loved the Banana Splits TV show, and also because The Dickies do a mean cover version.

The Dickies - Banana Splits, A&M records, c.1979

Other worthy contenders would be:

A Certain Ratio - Shack Up

Knox - Gigalo Aunt (originally by Syd Barrett)

Siouxsie and the Banshees - Dear Prudence & Helter Skelter (originally by The Beatles)

Skids - All The Young Dudes (originally by David Bowie, and then Mott The Hoople)

Wedding Present - pretty much all of the b-sides they released in their series of 12 Hit Parade singles from 1992. Plenty of opportunities on Ebay to track down the 12 individual 7" singles, or easier maybe , although perhaps less fun, to buy the Hit Parade compilation album instead.

I could probably have continued at some length on this topic but it's time to end the blog post now.