Bram Tchaikovsky - Strange Man, Changed Man, c.1979

The next album I have chosen to review is a new wave / power pop masterpiece from way back in 1979. Following the demise of the Motors, Bram Tchaikovsky (aka Peter Bramall) set about creating his own band, confusingly also called Bram Tchaikovsky. I had heard a few of their songs, most likely on the John Peel radio show or something similar back in the late 1970's but never owned any of their records. This was all put right a few weeks ago when I was lucky enough to find a copy of Strange Man, Changed Man in a second hand record shop.

Bram Tchaikovsky - Strange Man, Changed Man

Side one opens with the title track, Strange Man, Changed Man, which opens with a beautiful, punky guitar riff, joined later by drums and bass, and then finally the vocals as the song builds into a fine example of later 1970's power pop. It merges almost seamlessly into Lonely Dancer which continues along the same lines. Track 3, Robber, is another strong track with tinges of the Beatles' Dr Robert, in fact you can almost replace Robber for Robert. The next track, Bloodline, starts with an almost heavy metal riff, but of course nothing wrong with that at all, and it's still overlaid with wonderful, power pop / new wave style vocals. The final track on side one, Turn on the Light, ends the side well although a little less power pop and more country rock oriented.

Side two kicks off with Girl of my Dreams. with the opening line of "Judy was an American girl". I'm not sure what it is about the use of the name Judy in songs but in me in conjures up a dream of America that I had growing up as a kid, long before I ever visited, that was also of course bolstered by a healthy does of US 1970's television programmes. I was also reminded of Judy is a Punk by The Ramones, and "Judy's in the bedroom, inventing situations" from Found a Job by Talking Heads, and Judy Says by The Vibrators, although the latter being British rather than American kind of spoils the thread here. Track two, Nobody Knows features a mean and dirty bass sound that would not be out of place on an early Stranglers track. Oddly, the next track Lady from the USA, did not actually evoke any teenage imaginings of the US for me, probably as it's more of a country rock ballad. It's not a bad song but seems a little out of place here. Track four is what I can only describe as a Status Quo cover version of I'm a Believer and sadly reduces a quite wonderful song to monotonous, repetitive chords. Track five, Sarah Smiles, returns with another perfect slice of power pop, before veering downhill again into the final track, Turn On the Light, which seems to be another Quo inspired riff.

Overall though, apart from a couple of blips on the second side, a fantastic album which would sit well in anyone's new wave, power pop collection.

Theme Thursday - Tomorrow

Well I was completely stuck for something to fit in with this week's Theme Thursday of 'tomorrow'. Neither my vintage postcards nor my vintage magazines offered any inspiration, but then fortunately I remembered this fantastic psychedelic band called Tomorrow from the late 1960's. On researching into them a little more for this blog post I discovered that they were the first band ever to record a John Peel session. I have read John Peel's excellent biography, Margrave of the Marshes, but must confess to not remembering this fact. Perhaps it's time I gave the book a second read.

Tomorrow - Tomorrow

    

Heron - Upon Reflection, the Dawn Anthology

Those of you who follow me on twitter (@dakota_boo) will be aware that I've just tracked down an album by Heron. Heron have been on my wants list for a while now, having been inspired reading about them in the wonderful Electric Eden book. I had hoped to find an album on my recent record shopping trip in London but was delighted to find a double CD set with both their albums, singles and some unreleased material - a mighty 43 tracks in all, on a compilation called Upon Reflection, the Dawn Anthology. The comprehensive notes are a great point of reference, providing details about the recordings where the band shunned convention and recorded both albums outside rather than in a studio.

 

I listened to the album from track 1 right through to track 43, and was struck by the enormous contrast of material, some brilliant, some less so. I'm enjoying the tracks from their 1970, self-titled debut album. Car Crash is particularly good, closely followed by Yellow Roses, but must admit that some of the tracks on their second album, Twice as Nice and Half the Price, don't particularly resonate with me ... in particular their cover of This Old Heart of Mine seems very out of place.

Overall though, an enjoyable listen, and with 43 tracks for probably less than a tenner it's worth buying for the first disc alone.

   

This week I have mostly been listening to The Holy Modal Rounders

Trying to manage 4 blogs simultaneously, I tend to find that one of them gets left for a few weeks. This has definitely happened to this blog as recently my focus has been going into my vintage postcards blog and my In Search of Space blog. So, it's about time I put this right. Over the past few weeks I've been reading Seasons They Change: The Story of Acid and Psychedelic Folk which has opened my eyes to some great music from the late 1960's and early 1970's so far. I've even managed to track some of it down and am now the proud owner of The Holy Modal Rounders 1+2. I was a bit 'nervous' buying it as I thought that the tracks I'd heard on lastfm may not be representative, but it is a really great compilation ... slightly quirky, as I guess it was meant to be, but great nevertheless.

Other recent purchases include the excellent Captain Beefheart - Trout Mask Replica, Sandy Denny - Sandy, Nico - Chelsea Girl, and Bert Jansch - It Don't Bother Me. All of these are brilliant albums, even the Nico one which again I was a bit 'nervous' about as she tends to polarise opinion (bit like marmite I guess) and I have read some fairly harsh reviews. But, as with marmite, I like Nico.

    

Acid and Psychedelic Folk

After procrastinating for much too long about whether to buy it, I have now bought Seasons They Change: The Story of Acid and Psychedelic Folk by Jeanette Leech. Initially the book didn't cover much that I was not already aware of, but now that I'm about 90 pages in, it has alerted me to some fantastic bands I'd never heard of before, as well as providing some interesting new information on bands and artists with whose work I was already familiar. 

 Probably the most interesting 'new' band to me was an outfit called The Holy Modal Rounders, musical contemporaries and collaborators with The Fugs, who I had heard of. Musically they are almost impossible to categorise, but the little I've heard to date on lastfm would seem to fit into the country-folk-psychedelic bracket, although even that seems inadequate. Other artists whose description in the book has been sufficient to get me searching around the web for more info and albums includes Michael Hurley and Pat Kilroy. Pat Kilroy's Light of Day album is especially good, and again another album that's really hard to classify. Plus I've 'rediscovered' Jackson C Frank, who I 'found' several months ago but seemed to have forgotten all about.

I'll post again as the days go by and I make my way through the book, and 'discover' more great music. For now, here's a small selection of what I've been listening to as a result of the book.

from amazon.co.uk ...

    

and also from amazon.com ...

    

A few more musical discoveries: Tudor Lodge, Mellow Candle, Pearls Before Swine

As regular blog readers will know, I tend to get quite excited when I 'discover' something old, particularly from the late 1960's or early 1970's, that I've never hear before. A couple of weeks ago it was Sunforest and Linda Perhacs, which I'm still listening to, but this week it's been augmented with Tudor Lodge, Pearls Before Swine and Mellow Candle. Tudor Lodge and Mellow Candle were both fairly short-lived bands, making just one album each at the time, but reforming a few times since. Tudor Lodge's eponymous debut album came out on Vertigo in 1971, but as far as I can tell there has been no material since. Similarly, Mellow Candle's 1972 album on Deram, Swaddling Songs, would appear to be their own recorded output, although members like Clodagh Simonds have appeared elsewhere, Fovea Hex being the most notable.

Pearls Before Swine however have released a considerable amount of material dating back to their 1967 debut album, One Nation Underground and ending with 1973's Sunforest album, after which their leader, Tom Rapp, would seem to have left music to become a lawyer.

It always amazes me when I come across great music I've never heard before. I am slightly concerned that one day it will just dry up, and there will be nothing else old for me to discover, but thankfully no sign of that at the moment.

Related CDs on amazon.co.uk ...

    

Related CDs on amazon.com ...

    

Since transferring a lot of my music to digital format, my web site has a list of my records and CD's for sale

Neil Young - Rust Never Sleeps

I don't know what it is with the recent Theme Thursdays but I have not been able to get my brain into gear properly. Initially I struggled to find something appropriate for this week's theme of 'sleep', but eventually, and not for the first time, my music collection came to my rescue. This is Neil Young's brilliant Rust Never Sleeps album from 1978. Prior to this I'd probably heard the odd track from Harvest, but I remember Rust Never Sleeps the most as John Peel played tracks from it and it first opened my mind to the fact that it was ok to like music from different genres - until then I'd pretty much forced myself into having a self-imposed playlist.

Neil Young and Crazy Horse - Rust Never Sleeps - MP3 link for UK viewers ...




Neil Young and Crazy Horse - Rust Never Sleeps - MP3 link for US viewers ...



More details about my music collecting habits can be found elsewhere on this music blog and also on my web site, where I'm selling off a load of records and CD's that I no longer need, or have space to store, in their physical format

Bridget St John - Songs For The Gentle Man

As I continue to track down the albums mentioned in Rob Young's excellent Electric Eden book, I came across this gem a few weeks ago. "We ran away for a day from the city" ... this is the first line of the opening track, A Day A Way, on Bridget St John's 1971 album Songs For The Gentle Man. I only bought this album recently but it's been played constantly since. With vocals reminiscent of Nico, backed with jovial flute and a string section sounding a little like Nick Drake, particularly on the 2nd track, City-Craze and the 5th track, Seagull Sunday, this is an exceptional album. It was originally released in 1971 on John Peel's Dandelion Records label, which further validates it as an outstanding album. The insert of the CD re-release I have contains a heart-felt message of loss and thanks to John Peel. So far I only have this album but am looking forward to getting her other 2 albums, Ask Me No Questions and Thank You For ... shortly. As I was only 4 in 1969, and as I've mentioned before, I can only imagine what it would have been like to have been old enough to have remembered the late 1960's and early 1970's, but if it was all like this (although sadly I know it wasn't) then take me there now.

The Damned, gig review, Bristol, 21st May 2010

After an absolutely mad few weeks at work, I had been looking forward to this gig for ages. What's more it was at the start of a 2 week holiday, which made it even sweeter.

We arrived at the venue about half way the support act, Ed Tenpole, of Tenpole Tudor fame. I have to admit I was pleasantly surprised by Ed, who delivered a raw, belting set consisting of one man, a beaten up guitar, and lots of echo.

And so on to the main course ... the Damned. The last time I saw the Damned was way back in 1984, also at Bristol, so it was with some uncertainty that I entered into this. However, needless to say they did not disappoint. With just Captain Sensible and Dave Vanian left from the original line up, the newer additions to the group were more than up to the job.

They kicked-off with Fan Club from their 1977 debut album, Damned, Damned, Damned. An appropriate opener as the venue was certainly not full. Next up was Disco Man from their 1981, Friday 13th EP. Next on the list was I Just Can't be Happy Today from Machine Gun Etiquette.

I can remember most of the tracks after the first 3, but not the order. The list includes Love Song, Neverland, Eloise, New Rose, Neat Neat Neat, Stretcher Case Baby (which they denied stealing from the Sweet), Lovely, Jet Boy Jet Girl (which was a real treat), Thanks for the Night, and of course ending the show with Smash It Up, parts 1 and 2.

Throughout the show we were treated to various words of wisdom by the Captain who, amongst other things, informed us that the keyboard played used to be in the UK Subs, that Dave Vanian's leather gloves made him look like Alvin Stardust, that the success of Happy Talk had allowed him to live the champagne lifestyle for 3 weeks, and that he was now almost deaf following their recent stint supporting Motorhead.

Overall a great night out, even though it finished at 10pm, but at least there was time to get back to bed and my horlicks before midnight.

Check out my web site for lists of my records and CDs for sale

What to wear to the Damned

I first saw The Damned was way back in 1984 in Bristol. Next week I'm going to see them again in Bristol, which I'll do a write-up of some time over the next couple of weeks. The first time I saw them I knew exactly what to wear as I had my 'uniform' of black jeans, black Dr Martin boots, black leather jacket, some old punk t-shirt or another, and spiked hair. Not unsurprisingly most of those clothes are long gone, as is some of the hair, although I do think I still have a pair of old DM's kicking around somewhere. So, what do I wear? Actually I'm considerably less worried about what I look like today, but it does amuse me to think how important it was to me at the time, how my parents didn't understand why I wanted to look "deliberately scruffy", and why couldn't I be like that nice lad down the road.

The Damned are one of the bands whose material I still have mainly on vinyl, although I do think I have a compilation CD somewhere as well. I'll have to dig them all out over the next couple of evenings to get myself back in the mood. I'm particularly looking forward to listening to the Machine Gun Etiquette album again as that was always one of my favourites.

I have no idea what to expect at the gig ... perhaps still a smattering of anarchy, chaos and destruction ... but not too late past my bed time please.

Sebadoh, Lou Barlow

The great things about internet music sites is that I can just type in the name of a band (or several bands) or a genre tag that I feel like listening to and it will serve back to me the sort of music that I'm in the mood for. Much of it is recognisable. Some that I still listen to on a regular basis, and some that I've not heard for years, and some that I've never heard before.

One of today's selections was Sebadoh. I think I first heard Sebadoh on the John Peel show back in the early 1990's. I have most of the albums from around that period, but I also recall they did am amazing Peel session which I've never been able to find anywhere.

I was fortunate enough to get to see Sebadoh once. It was at the Glastonbury Festival, again some time in the early 1990's, at around the time they released their excellent Bubble and Scrape album. They were playing on one of the smaller stages and attracted a modest crowd. I recall Lou Barlow not being too impressed with the sound quality and suggesting to the crowd that they come and see Sebadoh somewhere better. He then quickly qualified that by stating that Glastonbury was cool, but that their performance would perhaps be better elsewhere. I thought it was just fine though.

I was of course aware that Sebadoh had spawned several side projects, solo outings and various other collaborations, but had no idea of just how many albums they had made between them all.

Over the years I have amassed far too many records and CDs for my own good. Now that we've entered the digital age I have uploaded the majority to iTunes. My CDs and records for sale can be found on my web site.

Classic covers

Various musical listenings over the past few weeks and months have inspired me to write this particular blog entry. Whilst I'm very sure that the theme is not unique, perhaps my take on it will be.

I've decided to create a playlist on lastfm, and document here, what I refer to as 'classic cover versions'. Don't expect to see run-of-the-mill stuff here, the classic covers I refer to are for songs that mean something to me. So, let's get started ...

Actually I have just reaqlised I pressed the 'publish' button a little prematurely and some tracks do not have descriptions ... will look to address this soon.


The Damned - Looking At You

I can't quite remember where I heard this song but seem to have a memory of having it on tape, recorded from the John peel show in the late 1970's (subsequent internet research indicates it featured in a Peel session). I loved the track the moment I heard it but it was probably 20 years later that I eventually heard the MC5 original version from their classic 1970 album Back in the USA. Whilst some covers versions tend to polarise opinion, I'll have to give this one a the same score as I like both versions equally.


The Clash - Pressure Drop

Toot and the Maytals original version is, of course, excellent, but the Clash version of this track was one of the first real reggae tracks I had ever heard. It took a while for me to come to terms with the fact that reggae and punk could sit side-by-side in my record collection, but artists like the Clash made this possible.


The Clash - Police and Thieves

Another great Clash cover version. Junior Mervin's original is yet again another firm reggae favourite in this house.


Marc and the Mambas - Vision

I remember being blown away by the tracks on the first Marc and the Mambas album, particularly those which were cover versions. This cover of a Peter Hammill track is probably my favourite track on the their 1983, Torment and Toreros album. The influence that Peter Hammill had on Marc Almond is evident from the cover version, and again this is one where I like the original and cover equally, but thanks to this Marc Almond cover version I have built up a fair sized Peter Hammill and Van der Graaf Generator collection.


Marc Almond - If You Go Away

Another Marc Almond cover version again in his Marc and the Mambas guise, covering a Jacques Brel track. This was probably my first exposure to Jacques Brel, and although Marc has covered plenty more in his time this is my favourite.


Marc and the Mambas - Caroline Says

The original version of this track comes from Lou Reed's bleak masterpiece, Berlin, from 1973. This cover version is another from Marc and the Mambas, this time from their Untitled album of 1982.


Stiff Little Fingers - Doesn't Make It Alright

The Specials


Manic Street Preachers - Working Class Hero

This was one of those tracks that I'd heard the name banded around for years, but the forst time I heard the song was as a cover version, first by the Manics, then Green Day. John Lennon .......


Siouxsie and the Banshees - Helter Skelter

This was one of the first Siouxsie tracks I heard after Hong Kong Garden, and had no idea at the time it was in fact a Beatles track. I like both versions but, probably due to my punk heritage, the Siouxsie version just pips McCartney at the post.


Siouxsie and the Banshees - Dear Prudence



The Mission - Tomorrow Never Knows

Another cover version of a Beatles song, this time by Sisters of Mercy offshoot, the Mission, covering Tomorrow Never Knows from the Beatles' 1996 album Revolver. Not necessarily the easiest or most obvious track to cover but I feel the Mission did it justice.


The Mission - Dancing Barefoot

Having been a Patti Smith fan for more years than I care to remember, I remember being somewhat sceptical when I heard that the Mission had recorded a cover version of her classic Dancing Barefoot track. However, my fears were unfounded as this is a superb cover version, working well both as a studio track and a live encore track when I saw them back in the late 1980's.


Dandy Livingstone - A Message To You Rudy

This was one of the reasons for compiling this playlist. I only heard this version in the past couple of weeks and must admit, somewhat ashamedly, that until then I thought The Specials did the original. Since I've been alerted to the error of my ways I've been listening to quite a few tracks by Dandy Livingstone and am very much likeing what I'm hearing.


Two Lone Swordsmen - Sex Beat



Psychic TV - Set The Controls For The Heart of The Sun



The Jam - So Sad About Us

Cover versions were quite commonplace in the early days of the Jam, but this cover of Pete Townsend's track appeared on the b-side of their classic single, from 1978, Down in the Tube Station at Midnight, as a tribute to The Who durmmer, Keith Moon, who died earlier that year.


The Cramps - Psychotic Reaction



As usual, a list of records and CDs for sale cane be found on my web site.

How did I miss out on this band ...

It always amazes me just how many bands I completely missed out on during my formative years. Some are more obvious candidates who, although being regarded as 'seminal, 'classic' or whatever other terminology comes to mind, were making music before my time so I have an excuse for missing them. There are however plenty who were making music when I was listening to and reading about anything and everything to do with music, who just passed me by.

Fortunately help has been at hand over the past few years with the various internet radio stations. I've blogged about these guys before but the biggest surprise to me was Tuxedomoon. This band were definitely making records during my formative years but I completely missed out on them. Furthermore, I don't regard them as someone I would have heard at the time and dismissed, only appreciating them later ... I'm just pretty sure I'd never heard their material. Were these guys never played on John Peel? Having only discovered them a couple of years ago I'm making up for lost time and they are now my most played artist on lastfm.com. The solo and collaborative material by two of their members, Steven Brown and Blaine L.Reininger is also really good and I probably have more of the solo material than releases by the actual band. If anyone wants a recommendation for a Steven Brown release, then I would start with his excellent Decade compilation and branch out from there.

Other groups which fall into the category of 'how did I miss out on this band' are The Sound, Mission of Burma and This Heat who I have only discovered through lastfm. These bands are always a pleasure to listen to whenevr they appear on lastfm, but as yet I've not felt compelled to get their albums.

Bands I missed out on who were active before I really got into music include The Residents. I have heard 30 or so tracks by these guys and everyone, no matter how quirky, sounds great. I do wonder though how I would fare listening to a whole album, end-to-end. If anyone has any suggestions which are the 'must have' Residents albums, please let me know.

Pere Ubu were a band whose name I'd heard but pretty sure that until recently I'd not heard any of their material. Again like the residents I have heard 30 tracks or so, but do not yet own an album. Looking at the albums which contain the tracks of their I like the most, it's liklely that Modern Dance and Dub Housing will be maing their way into my collection soon ... again more than happy to take recommendations.

What's more is that I'm sure this is just the tip of the iceberg. I'm very sure that there are hundreds of worthy bands out there just waiting for me to discover.

And finally a couple of artists that no matter how much other people rate them, and no matter how many times I listen to them, just don't do anything for me. These include Devo and Captain Beefheart. Captain Beefheart was a firm John Peel favourite which is usually a good recommendation. I've often found that music championed by John Peel that I didn't appreciate at the time improved with its and my age, and that I just didn't have the finely tuned musical taste buds that Peel had, but for me anyway, this is not the case with Captain Beefheart. Maybe there's a Captain Beefheart 'initiation album' that I'm somehow missing out on which will open the doors?

As always, plenty of records and CDs for sale on my web site.

Playlist - Hippy Dream (Before the Dream Faded)

Having thoroughly enjoyed documenting the reasons for choosing the 50 or so tracks I selected for my John Peel inspired playlist, I have decided to attempt to do the same for my playlist called Hippy Dream (Before the Dream Faded).

This will however be a very different writing experience to the Peel playlist as that one was written from my recollections of hearing the songs pretty much as they were released. Despite feeling very old today, I was not old enough to have heard the songs fom my Hippy Dream playlist when they were released, and only grew to know and love them later on ... but there's still a story to be told.

So, as before, these are not in any particular order, just as I thought of them (or in some cases heard them). Also, it's possible that some of 'facts' are a little wayward.


The Youngbloods - Get Together (1967)

This is one of the tracks that I heard for the first time on lastfm. Really beautiful track, originally released in 1967 and then again in 1969, to a much greater response, following its use in a TV public service announcement.


Buffalo Springfield - For What It's Worth (1966)

I had of couse actually heard this song at some stage in my earlier life, but it wasn't until I started exploring Neil Young's musical family tree in the late 80's that I realised he was in the band that recorded it. Not having been a child of the 60's revolution I can't say how well this song sums up that era, but for someone who's looking back at those times it seems to fit the bill. A truly great track, demonstrating Stephen Stills' song writing at its best.


Crosby, Stills and Nash - Carried Away (1977)

This track comes from their brilliant, 1977 album, CSN. I must admit it took me a while to really get into this one, having been totally blown away by their 1969 debut, but it improves with every listen. Brilliant track dominated by their wonderful harmonies and piano.


James Taylor - Carolina in My Mind (1970)

I heard this track for the first time whilst at college back in the early/mid 80's. A beautiful song that still makes the hairs on the back of my neck stand up. Hearing this track again makes me think that I really ought to get hold of some more James Taylor material.


Al Stewart - Life In Dark Water (1978)

This is another track I heard for the first time on lastfm. I remember when I first heard it I thought it was Roy Harper. On researching its year of release I was quite surprised to find it was from the late 1970's. Sounds much earlier to me, and the hippy dream had well and truly faded by then. Great vocals, though if you ask me are a bit spoiled by the overblown guitar solo half-way through.


Neil Young - Old Man (1972)

The first time I knowingly heard Neil Young was back in 1979 when John Peel played a couple of tracks from his Rust Never Sleeps album. This made an immediate impression, but as a child of the punk era it was not until later that I started working my way through his extensive back catalogue. Released as a track on his classic 1972 album, Harvest, this track, along with pretty much every track on that album, is a classic. A handful of people at school had the album but once I got to college I realised that Harvest was one of the records most students owned ... I do wonder however when my kids go off to college what their 'must have' student albums will be, or will such a concept even exist?


David Crosby/Graham Nash - Bittersweet (1975)

Released on their 1975 album, Wind on the Water, demonstrating the beautiful harmonies achievable through the human voice. What I particularly like about this track is the piano introduction followed by the gradual overlay of their beautiful vocal harmonies, building up into what I suspect today would be called a "massive" song ... probably suffixed by the word "init".


Fred Neil - Everybody's Talkin' (1969)

The first time I heard Fred Neil I was convinced it was Tim Buckley. Little did I know that it was probably more a case of Tim Buckley sounding like Fred Neil, and in fact Buckley covered Fred Neil's Dolphins on his 1973 album, Sefronia, but more about Tim Buckley later. Neil started off much more in the blues/folk era of New York's Greenwich Village, rather that the US west coast hippy scene, but somehow this track seems to perfectly fit both.


Tim Hardin - How Can We Hang On To a Dream (1966)

I had never heard of Tim Hardin until I saw the film Factory Girl which featured the song Red Balloon. Inspired by this I satrted to explore his back catalogue and uncovered some great tracks, of which this is one. Beautiful arrangement of piano and violin, complimented by Tim's slightly husky vocal track. I've recently picked up a truly brilliant Tim Hardin double CD compilation called Hang On To A Dream: The Verve Recordings featuring no less than 47 tracks.


John Martyn - Over the Hill (1973)

A great track taken from his 1973 album, Solid Air. I was introduced to John Martyn, and in particular this album, at some time in the mid to late 1980's between school and college. The whole album is a masterpiece and it was pretty difficult to choose a track, but this is probably my favourite. I saw John play a concert several years ago but I don't remember it being as good as I'd hoped. Hearing this album again makes me want to look over his back catalogue in more detail.


Nick Drake - Cello Song (1969)

I can't quite remember when I first heard Nick Drake, but pretty sure it was some time between leaving school and going away to college. I didn't however have my own copies of any of his material until the 90's, starting off with the Way To Blue compilation, closely follwed by his three studio albums. This track is taken from Nick Drake's 1969 album, Five Leaves Left, featuring his distinctive whispy, dreamy voice. A perfect track from a perfect album.


Fred Neil - The Dolphins (1969)

I first became acquainted with this magnificient song through the Tim Buckley cover vesrion on his 1973 album, Sefronia, and it wasn't until a while later I heard Fred Neil's original version. The beautiful string work, subtle percussion and deep vocal track really make this a stand-out song. It's a hard call to make but if I had to make a call between this version and Tim Buckley's cover version, then I would say the original wins, but only just.


The Pentangle - Hunting Song (1969)

I had heard the name Pentangle before but it wasn't until I'd started exploring on lastfm that I'd actually heard any of their tracks. I guess this probably fits more into the folk genre rather than into what I've called the hippy dream, but it seems to fit well in the playlist. This track is taken from their 1969 album, Basket of Light.


John Martyn - May You Never (1973)

Another brilliant track from John Martyn's 1973 classic, Solid Air. I'm not convinced the version that comes up on lastfm is the original album version though. It sounds and feels like a much later version, but is still a great track nonetheless.


Richard and Linda Thompson - When I Get to the Border (1974)

Taken from their 1974 album, I Want to See the Bright Lights Tonight, this is another track which probably fits equally into the folk genre as it does into the hippy dream one. The whole album is a masterpiece from beginning to end, and this particular track perfectly showcases their oustanding, combined vocal talent.


Tim Buckley - It Happens Every Time (1966)

This is my favourite track from Tim Buckley's 1966 debut album. This album however was almost the last one of his that I tracked down; the last one being Blue Afternoon which I still do not own in any form.


Pearls Before Swine - Ballard to an Amber Lady (1967)

This group are new to me in that I'd not even heard their name before I found them on lastfm. To be honest though I have found their material a bit hit-or-miss, but this track is really good, featuring some mean guitar picking overlaid with a folky vocal track ... and lots of humming. This track comes from their 1967 album, One Nation Underground. On hearing the track again whilst documenting this playlist I think perhaps they are worthy of a bit deeper investigation.


Richie Havens - Here Comes the Sun (1971)

The Beatles original was pretty darned perfect in every way, but this cover version is just as good, whilst at the same time being completely different. Hard to explain but if you don't believe me just listen to the track.


The Pentangle - A Woman Like You (1968)

Taken from their 1968 double album, Sweet Child, this was another track that when I first heard it I thought it might have been Roy Harper. I really however know so little about Pentangle, only having recently heard the odd track here and there.


Grace Slick and the Great Society - Somebody to Love (1966)

Timeless classic. This is an unusual version though, and has a more raw and edgier feel to it than the versions with Jefferson Airplane.


The Doors - The End (1967)

Taken from thir 1967 debut album, I probably could have chosen many other Doors' tracks but for me this one captures the mood perfectly. Its use in Apocalypse Now is a hauntingly perfect fit.


Kaleidoscope - Flight From Ashiya (1967)

I'd heard the name of this band before but had not knowingly heard anything by them until recently. Unlike most of the songs above this one in the list, this has a distinctive and unmistakeable English sound to it. It's also drawn to my attention that perhaps too much of this playlist has been focussed on the US west coast sound, so I might need to make some adjustments.


Buffalo Springfield - Mr Soul (1967)

A great track by none other than Neil Young from his very early days with Buffalo Springfield. It always used to make me think it was Satisfaction by The Rolling Stones until the vocals kick in.


Crosby, Stills & Nash - Suite: Judy Blue Eyes (1969)

I think this was the one of the first Crosby, Stills & Nash songs I ever heard. I picked it up on the 1974 compilation album, So Far, and this track alone was probably the main reason why I started exploring more of this era. The music, the vocal harmonies, the atmosphere, in fact everything about this song is just perfect.


The Lovin' Spoonful - Summer in the City (1966)

No compilation of this type would be complete with this song.


James Taylor - Fire and Rain (1970)

Another classic James Taylor track. I'm very sure it's been covered to death, and appeared in numerous films, but I remember it working particularly well in the 1988 film, Running on Empty, starring River Phoenix playing the son of a couple who blew up a Napalm lab in protest against the war.


The Byrds - Mr Tambourine Man (1965)

Maybe a contravesial choice but personally I prefer the Byrds version to the Bob Dylan version. Bob Dylan is a bit like champagne for me ... everyone raves about it, and sometimes I like it but other times it doesn't do anything for me.


The Guess Who - American Woman (1970)

The first time I heard this track was as part of the soundtrack to the excellent film American Beauty. To be honest I know very little else about this band so probably need to do a bit more investigation.


Crosby, Stills, Nash and Young - Teach Your Children (1970)

Another great Crosby, Stills and Nash track, this time from the 2nd album, Deja Vu, which brought Neil Young in to make up a formidable foursome. I heard this first on the excellent So Far compilation, and I actually feel it sits better with the tracks on that album than it does with those on Deja Vu.


Crosby, Stills, Nash and Young - Long Time Gone (1970)

This is a superb David Crosby penned track, and also appropriately the title of his autobiography. I think I heard this on a TV documentary with some festival footage quite a while before I found an interest in Crosby, Stills, Nash and Young.


Dave Mason - Sad and Deep As You (1970)

Great track from the Traffic guitarist, Dave Mason. This track is from his debut solo album, Alone Together, from 1970. The whole album is one of my favourite of the era and for me this is one of the stand-out tracks. Quite a mellow album compared to some of the material he produced with Traffic but a gem nevertheless.


Crosby, Stills, Nash and Young - Woodstock (1970)

I can only imagine what it must have been like being a child in the summer of love, but for me this song captures what I believe it would have been like.


The Incredible String Band - First Girl I Loved (1971)

I've heard a few tracks by these guys but so far this is the only one that made an instant impression. Again, probably a band to whom I've not found the time to give sufficient creedence to.


Neil Young - After the Goldrush (1970)

I think I heard a cover of this before I heard Neil's original version, with a female vocalist I recall. Discogs suggests that it was Prelude. The line "Well I dreamed I saw the silver spaceships flying" makes me think of The Chrysallids by John Wyndham, where one of the central characters has a similar dream.


Love - The Red Telephone (1967)

Love's Forever Changes is such a strong album that I could probably have chosen pretty much any of the tracks to include here, but this is one of my favourites. I'm sure there's someone out there who can identify another group who sound like Love, but for me they provided a very unique sound.


Neil Young - The Needle and the Damage Done (1972)

Harvest was the first Neil Young album I heard in its entirity, after having been introduced to his later material, Rust Never Sleeps, on the John Peel radio show in the late 70's. Again it's another one of those albums where almost all of the tracks could end up here.


Love - A House is Not a Motel (1967)

Ok, so I couldn't resist adding another song from Love's classic Forever Changes album from 1967.


The United States of America - Garden of Earthly Delights (1968)

Another band about whom I know very little and have only been introduced to through last.fm. Seems like they only made one album, released in 1968.


The West Coast Pop Art Experimental Band - Here's Where You Belong (1967)

Yet another band whose music was introduced to me recently by last.fm. This track is from their 1967 album, Part One.

I have quite finished compiling this list as I'm struggling to find the time. Hopefully I'll complete it over the next couple of weeks.

A playlist from my formative years

Having had several playlists on lastfm for a while now, I've decided to blog about my first one, which I imaginatively called "My formative years ... mainly stuff I heard on John Peel plus some other gems, from where I have no idea" and then it got truncated. Anyway, if you click on the preposterously long link above, you'll find the actual playlist.

Right then, down to business. These are not in any particular order other than those which came to front of mind first ...


Magazine - A Song From Under the Floorboards (1980)

A brilliant song from a band who I must admit I struggled with a bit at times. The Correct Use of Soap from which this track come has some stand-out tracks, of which this is the strongest, but also some other ones which quite frankly annoy me. Their first 2 albums, Real Life and Secondhand Daylight, have grown on me over time but I seem to enjoy them more when I hear the odd track in isolation.


Wire - Outdoor Miner (1978)

This was probably the first Wire song I knowingly heard, and certainly the most accessible. I remember having the Harvest label 7" version on white vinyl in the late 70's, which made it even more likeable, in a sad sort of way. Whilst this track made it into my list, pretty much all the tracks from their first 3 albums, Pink Flag, Chairs Missing and 154, are brilliant, with Pink Flag being one of my top 10 albums of all time. The later albums had their highs but always felt a bit hit-or-miss, although The Read and Burn releases marked a return to form.


Joy Division - Love Will Tear Us Apart (1980)

This is probably the most obvious Joy Division track, and not necessarily their best, but the reason I've included it here is that it's their first song that made me sit up and take notice. Of course it wasn't long before I worked my way through their back catalogue of what in those days was just the 2 albums, Unknown Pleasures and Closer, with Still joining the ranks a short while later. I still have the first 2 albums on vinyl, meticulously preserved. I absolutely refuse to discuss the Paul Young cover version.


Killing Joke - Turn To Red (1979)

Killing Joke were the 2nd band I ever saw, after the Revillos, some time around the time of the release of their second album, What's This For. This track was not one of the first I heard or bought, but is undoubtedly one of my favourites. I picked it up as the limited edition 10" version, with numerous inserts, a while after getting hold of their first album and the Wardance 7", the latter alas without the conscription insert. What I particularly like about Turn To Red is the punk-dub style which was completely new to me at the time. With Alex Paterson once being a Killing Joke roadie, it's no surprise that this track appears on various Orb compilations and mixes.


Magazine - The Light Pours Out of Me (1978)

Another great track by Magazine, but bizarrely I only heard it on the John Peel show when someone sent in a request to play the Bauhaus version and he decided to play the original instead.


A Certain Ratio - Shack Up (1980)

I came across A Certain Ratio by accident while ferreting through the bargain bin in the old HMV shop in Oxford Street. I picked up this on 12" for the princely sum of just 22p, and then only because it was on the Factory label. It took a few plays for it to get to me, but I soon had to track down their other releases. Their early singles, All Night Party, Shack Up and Do the Du, along with the first vinyl album, To Each, are all excellent and worth tracking down. Their cassette only release, Graveyard and Ballroom, has been reissued on CD with some bonus tracks, and there are a couple of early live recordings out there too.


New Order - Ceremony (1981)

Whilst New Order are probably best known for their later material, this one is my favourite. It still has the Joy Division sound, and I think was written when they were still a band ... I seem to recally a live Joy Division version on Still. I remember the bronzed 7" sleeve being particularly susceptible to collecting finger prints from mass handling. I also remember hearing a live new order concert where Sumner told the audience something like, "this is my Cermony guitar", and then later being at a New Order concert when one of the audience shouted the same when he changed guitars.


The Associates - Party Fears Two (1982)

I can't claim to really being an Associates fan, and I'm not sure I've even heard that many of their tracks, but for me this was a stand-out song. Perhaps they are worthy of further investigation on lastfm.


The Human League - Empire State Human (1979)

I'm not sure if this was their first single, but if not it was one of the first, and quite frankly a million miles away from Dare. I think this was recorded when the 2 guys who left to become Heaven 17 were still in the band. I kept an interest in the Human League for a short while after this release, with Reproduction probably being the last record of theirs I liked. The later, more pop-driven material left me a bit cold, although I do remmeber seeing a particularly angry looking Phil Oakey shouting the lyrics to Lebanon on some music TV show or other.


Simple Minds - Chelsea Girl (1979)

The only track of theirs, past and present, that I really liked. I had a friend who was heavily into their early material but it never did much for me.


Tuxedomoon - What Use (1980)

This one is a bit of a cheat I'm afraid. The reason being that I did not discover Tuxedomoon until fairly recently, but I felt justified including them here on the grounds that, had I heard this at the time I would have liked it ... hope that makes sense. I had of couse heard the name of the band but for some reason their music just bypassed me.


John Foxx - Underpass (1980)

John Foxx is one of those artists who I wish I'd given more time to, but he kind of got lost amongst all the other music I had to listen to. I have recently acquired a couple of his back catalogue, The Golden Section and In Mysterious Ways, so am catching up, but this early track is a masterpiece and every bit as good as Gary Numan and Tubeway Army. What I've yet to do however is get hold of any pre-Midge Ure Ultravox! albums which feature John Foxx.


Killing Joke - Nervous System (1979)

Taken from the Turn To Red 10" from way back in 1979, this is another Killing Joke classic. A brilliant blend of punk and dub, with stunning results.


Joy Division - Shadowplay (1980)

This is a brilliant track from Unknown Pleasures and possibly my favourite on that album. It still contains some of the raw quality from their Warsaw days, whilst at the same time demonstrating the more subtle elements of their later material.


Wire - I Am The Fly (1978)

Another classic, short and sharp, punk-pop song from the brilliant Wire, appearing both as a 7" single and also as an album track on their 1978 classic Chairs Missing. Not sure these guys put a foot wrong between 1977 and 1979.


New Order - Everything's Gone Green (1981)

This was the first New Order record which marked the departure from their Joy Division roots towards the more electronic sound associated with New Order today. It was released as a 7" single with a sleeve design issued in multiple colours. I remember having 4 or 5 of these at the time but alas these are now long gone. It also appeared on a 12" on Factory Benelux, with a couple of additional tracks Mesh and Cries and Whispers which were pretty darned fine too.


A Certain Ratio - The Fox (1981)

Appearing on the Do the Du 12", the To Each album and Graveyard and Ballroom cassette, this is one of their stand-out tracks which defined their early sound, merging post-punk with funk, which still sounds very fresh and relevant to me today.


The Psychedelic Furs - Sister Europe (1980)

Prior to their brilliant, but more pop sounding 2nd album, Talk Talk Talk, the Psychedelic Furs released a couple of brilliant singles and debut album. Sister Europe was the second single I believe and I remember being completely blown away when I first heard it on the radio.


The Psychedelic Furs - Mr Jones (1980)

Although this appeared on their second album, Talk Talk Talk, it was released as a single the year before in 1980. I can see why perhaps it didn't find a place on their first album, but to some extent I'm not sure it fits well on the 2nd one either. Maybe it should have been left as one of those obscure 'between album' singles. Regardless of where it should/shouldn't fit, it's a great track, ful of post-punk punch.


Bill Nelson's Red Noise - Furniture Music (1979)

This was a great single, on red vinyl, from Bill Nelson after his time with the band after Be Bop Deluxe. Without the internet in those days to use for research, I never realised at the time that his roots were from the early 70's, but this track along with Revolt Into Style slotted perfectly into the post-punk sound. When I can spare a few minutes I think I'll have to search out some Be Bop Deluxe to see what I missed.


B-Movie - Remembrance Day (1980)

Originally released as one of the tracks on the b-side of their Nowhere Girl 12", this was eventually released as a single in its own right, probably more than once. I loved this track from the first time I heard it on the John Peel radio show, and was delighted when it appeared in his festive 50 of that year.


Theatre of Hate - Legion (1980)

This track was released as a double A-side single, remember those kids, along with Original Sin. I have to confess to only hearing this, again as a John Peel festive 50 track, some time after hearing Rebel Without a Brain, but it's probably by favourite Theatre of Hate track. It has such a raw energy and unique sound, and has a true to form short, sharp punk sound.


The Rezillos - Destination Venus (1978)

As the Revillos, the second coming of the Rezillos, were the first band I ever saw, I have to confess a rather large soft spot for them. I'm pretty sure this was not on the original version of the Can't Stand the Rezillos album and was only ever originally released as a 7" single. It has subsequently appeared on the Mission Accomplished album and the CD version of Can't Stand the Rezillos. This is just such a great track and one of the last ones they released, certainly taking them out on a high. I've just seen the picture sleeve for this on discogs for the first time. I did have the 7" but alas mine only came in a plain sleeve, which for a vinyl obsessed spotty youth was almost catastrophic at the time.


The Cure - Jumping Someone Else's Train (1979)

I'd heard, but missed out on buying their previous 2 singles, Killing an Arab and Boys Don't Cry so this was the first Cure record I could really claim to be my own. Released on the Fiction label, it soon became pretty rare, particularly once the Cure had established themselves in the mainstream. During a moment of madness (and slight financial crisis) I regrettably sold it along with many of my other late 70's vinyl. Fortunately this sort of material is easy to get hold of on CD or download these days, but it's not the same as handling a great looking 7" or album sleeve.


Heaven 17 - We Don't Need This Fascist Groove Thang (1981)

This was the first single by Ian Craig Marsh and Martyn Ware following their departure from The Human League. I can't remember where I heard this first, it may have been John Peel or one of the other radio one DJ's at the time, but I seem to remember John Peel also playing a version of this by the Fire Engines and commenting that every band should cover the song in their session. Anyway, a truly great song with a great message.


Steven Brown - Out of My Body (1991)

This is probably the most recent track in my list, and again it's a cheat as I only heard it recently, but as Steven is from Tuxedomoon, and given what I said about them earlier in the post, I felt happy with including it here. I have this track on a compilation CD by Steven called Decade but it originally appeared on his Half-Out album from 1991. This is a really great song from an outstanding musician so if you're not already familiar with his work then please check it out.


XTC - Are You Receiving Me? (1978)

XTC must be one of the most enduring post-punk or new wave bands from the late 70's. Their ability to produce the perfect pop song is, in my opinion, unsurpassed, and this is but one fine example. This was recorded at around the time of their Go 2 album but only appeared on it as a bonus track on the CD version.


Bill Nelson's Red Noise - Revolt Into Style (1979)

This is another brilliant track from Bill Nelson. Released in 1979 as a blue vinyl 7" on the Harvest label, it remains a firm household favourite to this day.


Wire - Mannequin (1977)

This is Wire's first single, relased on the Harvest label in 1977. An absolute classic which, along with their first album, Pink Flag, no self-respecting music lover should be without.


The Police - Born in the 50's (1978)

I imagine there are several people wondering why I have a couple of tracks by the Police in this list, but this one from their first album, Outlandos D'Amour, is brilliant.


The Cure - Primary (1981)

This is one of my favourite tracks by the Cure. The scratchy and swirly guitar intro gets me going every time I hear it. It came out as a single and is also featured on the third album, Faith, for which the cassette version came packaged up with a bonus film soundtrack called Carnage Visors.


Siouxsie and the Banshees - Helter Skelter (1978)

One day I will create a playlist of all the great covers of Beatles tracks. This one would definitely feature in the top 5, along with the Banshees' version of Dear Prudence, Here Comes the Sun by Richie Havens, Ticket to Ride by Husker Du and Tomorrow Never Knows by The Mission. The track appeared on Siouxsie's first album, The Scream, from 1978.


The Skids - Charade (1979)

I'm not sure if I ever knew or whether I'd forgotten, but this was produced by Bill Nelson. I may be imagining this, though I suspect not, but I have a vague memory of a thankfully long forgotten radio one DJ saying that this record was good until the singing started. So I'll dedicate this one to you. I still like the Skids but ...


Patti Smith - Frederick (1979)

Released as a single and an album track on Wave from 1979, this song is pure and raw late 70's New York sound. Along with Dancing Barefoot this is probably my favourite Patti Smith track.


Steven Brown - The Thrill (1991)

It wasn't until I started documenting my playlist that I realised I'd included a few 'cheats' in my list. I think I must have created it after discovering Tuxedomoon and the solo efforts of their various members, Steven Brown and Blaine L. Reininger. I probably should replace it with something that I did grow up with, The Fall seem conspicuous by their absence, but maybe I'll leave that for another day. Cheat or otherwise, it's still a great track and is another from Steven's 1991 release, Half-Out.


The Sisters of Mercy - Temple of Love (1983)

Although shunned by many, I've always had a bit of a soft spot for the odd smattering of Goth. It was a tough decision to choose between this one and Alice, as both were brilliant. Their first 2 albums, First and Last and Always and Floodland remain firm favourites, reminding me more of my university years than school. I never got to see them but did see The Mission and The Cult a couple of times.


Wire - Dot Dash (1978)

Yet another perfect punk-pop song by Wire. I really cannot praise their 1977 - 1979 period highly enough. Not sure this track ever made it on to an album other than as a bonus track on a CD re-release, but a gem nevertheless.


The Rezillos - (My Baby Does) Good Sculptures (1977)

One of the band's earliest singles from 1977. Just a great song, and a brilliant vocal combination between Eugene Reynolds and Fay Fife.


Martha and the Muffins - Echo Beach (1980)

This is one of those songs that had the potential to get played to death and become annoying, but somehow it didn't and remains a classic to this day. I thought I heard it on the radio recently but was sadly disappointed when after the distinctive introduction it went into some other song. Full marks to a modern artist/producer for recognising the brilliance of the track but needless to say I prefer the original.


Leyton Buzzards - Through With You (1979)

This was a great, sneeringly good punk song, on the b-side of Saturday Night Beneath the Plastic Palm Trees. Not sure I'm ever going to be prepared to forgive 2 of the band from forming Modern Romance though.


The Police - Next to You (1978)

Another great track from their debut album, Outlandos D'Amour.


Joy Division - Transmission (1979)

Another classic Joy Division track. I missed this at the time but soon tracked it down after hearing Love Will Tear Us Apart. I saw the video later on which was just mesmerising.


Siouxsie and the Banshees - Love In a Void (1979)

For some reason I always thought this track was on their 1978 album, The Scream, but it would seem not. Anyway, a blisteringly great song showcasing Siouxsie and band at their very best.


The Skids - Working For The Yankee Dollar (1979)

Another great single from the Skids. I had this one as a limited edition 7" doublepack which contained a cover of All The Young Dudes by David Bowie.


Patti Smith - Dancing Barefoot (1979)

Another great single from Patti Smith's 1979 Wave album. The Mission used to do a fairly decent cover version of this at live shows.


Killing Joke - Wardance (1980)

A brilliant single by Killing Joke at their very best. The b-side, Pssyche, was pretty good as well. I had this on 7" but never the version with the call-up papers.


The Psychedelic Furs - We Love You (1979)

Brilliant debut single featuring the classic lyric "I'm in love with Anthea and Donna and all that sh*t that goes uptown top ranking". Came in several different colour sleeves, I think I had the green one.


Joy Division - Isolation (1980)

I could have chosen any of the tracks from Joy Division's 2nd album, Closer, but the reason I've chosen Isolation is that it was one of the first I heard, and one of the first to make an impact. I grew to like the rest of the album soon after but this one stuck with me.


Warsaw - They Walked In Line (1978?)

I'm still not sure to this day whether the Warsaw album was ever officially released. I had a bootleg version many years ago, with a blown up version of the Unknown Pleasures cover accompanied by bonus 7". I remember the day the postman delivered it, it was my first bootleg and I was so excited. The whole album was brilliant and quite amazing it lay unreleased for so long. I'm sure it must have been released officially by now?


So there you have it, a brief explanation of the tracks which I grew up with. No doubt there are many bands that I should feature who also had an impact on me. Names like The Fall, The Damned, The Jam, The Clash, etc., spring immediately to mind. Also there's no mention of bands like The Smiths, Echo and the Bunnymen, etc., but they kind of fall into a different category for me. Perhaps I'll get round to extending this playlist to include the Fall, etc., and create another playlist for the Smiths, etc., one day.

I'm still buying (very occasionally these days) and selling off some of my old vinyl records and CDs, so if you're interested have a look at my records and CDs for sale.

Japrock vs. Krautrock

I first developed a taste for Krautrock from a friend who suggested a few bands I might like to check out, and also lent me his copy of Julian Cope's great book Krautrocksampler from a good few years ago now. I tracked down lots of Can material quite quickly, including some of the solo and collaborative efforts of its various members. I also managed to find copies of a couple of Neu, Klaus Schulze, Tangerine Dream, Cosmic Jokers, Faust and Ash Ra Tempel releases. Can, Faust and Neu were probably my favourite of that batch. I didn't discover the likes of Amon Düül, Harmonia and Popol Vuh until much later. Harmonia were a really great find and I was quite surprised to not have discovered them earlier through my following of Brian Eno.

I have made extensive use of lastfm.com over the past few months to discover more Krautrock but today something I was listening to or reading brought back a distant memory of a book I'd seen called Japrocksampler, again by Julian Cope. I remember looking a t it briefly in the shop at the time but then promptly forgot about it. So, it was with great interest this week that I have been exploring Japrock on lastfm.com. I'm definitely a novice in this area but have unearthed some interesting bands and songs already.

The Flower Travellin' Band were a bit of a surprise. Admitted I've only heard a couple of tracks so far but was surprised that they were a bit blues/rock oriented. I had some sort of impression that the genre would be really quite weird and experimental, so whilst this was not unpleasant, it was slightly unexpected.

My expectations however were soon set right when I heard some material by Magical Power Mako. The tracks which have come up so far are from the more recent albums, but are still challenging in their own way.

Probably the most bizarre discovery however was Les Rallizes Dénudes. Not only is their music interesting, but the band history is also somewhat out of the ordinary in that one of the band's members took part in a plane hijack with the Red Army Faction, and ended up taking asylum in North Korea. That is so much more rock'n'roll than throwing the TV set out of your hotel room window.

Having been impressed with what I've heard so far from this genre, Japrocksampler is definitely a book I'll be tracking down, and the Japrocksampler web site is a great resource too. As with some of my other less mainstream tastes such as Nurse With Wound, Throbbing Gristle, etc., it's not the sort of music that the rest of the family appreciate too much, so listening becomes somewhat more of a private pleasure.

I'll probably write more blog entries on this fascinating subject once I know more about it and have discovered which aspects I like more/less than others.

I don't own any Japrock records or CDs that I've grown out of and/or stored electronically yet, but I do have some Krautrock CDs and records for sale for anyone interested.